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Steen’s smallest, yet easily greatest, masterpieces created is the Girl Eating Oysters. The work was painted with oil onto a panel of only 20.5 × 14.5 cm, utilizing the common style of Leiden painters, but not the technique, for Steen varies this throughout the piece. This is one of the many genre paintings, an area that he excels, Steen created. The work was created around 1658-1660 when Steen was living in Warmond, a village close to Leiden. In the painting a charming young woman, who is called most commonly a “girl”, is seen sprinkling salt onto oysters, with a glass of what looks to be wine and Delftware picture next to her. In the kitchen, through the open door, are the presumable servants, a man and a woman, who look to be cooking more oysters.

 

The Girl Eating Oysters. Oil on panel. ca 1658. 20.5 × 14.5 cm. The Royal Cabinet of Paintings Mauritshuis, The Hague. Wikipedia

The Masterpiece: Girl Eating Oysters

This work displays Steen’s skill in storytelling, especially by his play on meaning with the oysters. In the seventeenth century, like today, oysters were thought of as an aphrodisiac, which is the main theme that Steen draws on in the work. The girl is seen with one single oyster, a symbol of deceptive feminine wiles, starring slyly out of the picture helping to further hint at the girl’s intentions. The sexual proposition is again referenced by the curtains on the bed behind her. The missing gentleman in the painting is supposed to be the viewer. All the precise, miniscule details, from the items on the table to the wispy hair and soft flesh of the girl, add to the breath-taking quality that is known as the Girl Eating Oysters.

© 2014 by Morgan McCauley.  Belmont University

 

Background: The Winter Lanscape. Oil on panel. ca 1650. 70 x 82 cm. Gkokloster Castle. Wikipedia.

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